The Cyprus Barrier

By Dan Bulman

Greeted with a mural of a hand dripping with blood, I feel like I don’t even need to understand the words, presumably in Turkish, beneath it. This in itself is enough to impart a haunting feeling throughout my time exploring this eerie ghost land.

The border between the Republic of Cyprus and the northern Turkish-controlled section of the island boasts a bewildering array of official military blockades manned by armed guards in some areas, while in others flimsy sheet metal is piled just high enough to block the view to and from the other side.

Photography is of course strictly forbidden in this area, or so a sign reminds me as I tread nervously past, camera over my shoulder in plain view. Hiding it in a bag is an option, but it’s always good to have the look of a confused tourist in this area, should you accidentally explore further than you’re permitted to.

The Republic of Cyprus has been divided since 1974, with the northern half being declared by its community as the Turkish Republic of Northern Cyprus. This move has not been officially recognised by the United Nations, which has declared it illegal. As such, the ‘official’ name for the northern half of the island is only recognised by Turkey and its inhabitants.

Although the area is not what would typically be described as a seventh heaven, there is something inherently captivating about picking a deserted street and trudging down it until you find the road has been blocked off.

Those with any interest in history or conflict will find the border an exhilarating place to visit, and those without any prior awareness of the Cyprus divide will undoubtedly find themselves wanting to expand their knowledge, even if they find the experience a little nerve-jangling at first.

The difference between the two sides of the island would be evident even if there was no physical border. Spires of churches dot the skyline of the Greek side of the island, and mosques dominate the landscape of the Turkish side, perhaps the most poignant reminder of not only the physical barrier between the two communities, but the social differences the two are now divided by.

Stumbling across the most perplexing sight at the border, my eyes are forced to do a double-take as they notice a basketball hoop erected just metres from the dull yellow brick border. A bright red and clearly very serious sign sits just behind it, designating the land past the wall a forbidden area. My mind can’t help but wonder who would play basketball in such a place. It also can’t help but hope that whoever does play here is a confident shot; I for one would not want to fetch the ball from across the boundary after a stray throw.

But this is not the most surreal sight to process in this man-made area of desolation - it doesn’t even come close to the mysterious ghost-town of Varosha. Indeed, there is no real mystery about why Varosha, once a lively tourist suburb of Famagusta on the east side of the island, is now devoid of human life - aside from the Turkish army patrols, that is.

But that doesn’t stop you feeling a real air of apprehension and mystery when you gaze at its crumbling buildings.

After the Turkish invasion of the island in 1974 the area was fenced off and no-one except Turkish and UN forces has been allowed to enter since.

Simply looking through binoculars from the edge of the exclusion zone tells you more than about the impact of the conflict than anything else ever could. Clothes which were left hanging out to dry and then hastily abandoned by their former owners still flap softly in the gentle breeze and bushes grow by the road side and up the walls of the once busy hotels.

Cracks in the roads reiterate the amount of time that has passed since anyone cared for this town, and how nature can so quickly reclaim what was taken from it.

A frail yet enthusiastic local man, Alexis, told me he visited ‘the fence’ to view Varosha once a month, and explained how he had seen the buildings and infrastructure decay over the past 34 years.

“For a long time after they sealed it off you could still see the lights shining brightly, that’s until they burnt out, of course,” said the 74-year-old.

“After such a long time I can notice when things fall or change from the last time I was here, and I keep coming back to remind myself that nothing should be taken for granted in this world, especially here.”

And looking through my binoculars one last time at the hollow, deserted hotels once bustling with tourists, and the derelict houses formerly home to generations of families, I can’t help but agree with him.

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Lily Allen: Posh, common, undoubtedly sexy

By Dan Bulman

IT’S IMPOSSIBLE not to admire Lily Allen. Not only is she one of the most talented performers in Britain, she is, from a distance at least, one of the most down-to-earth celebrities in this culture of greed and shameless publicity chasing ’stars’.

Her gig at Southampton Guildhall on March 19 saw the 23-year-old pack every part of why she is such a success in to a well-drilled and sophisticated performance - there was the cheeky attitude with the lyrics to match, the ever-underestimated sexiness, and the dexterity of the voice that is fast becoming one of the most recognised of its generation.

After an awkward opening track - thanks to an overly bass-heavy sound system rather than Lily herself - the Hammersmith-born beauty launched in to an exquisitely selected set made up of classic tracks, covers, and new tunes from her newest album, It’s Not Me, It’s You.

Lily has the ability to bring a certain style to any song she sings, and it’s a refreshingly original one. Forget bland voices - the character in her vocal work stretches across all her records and amazingly, any cover she puts her mind to.

Although my favourite Lily cover, Naive by The Kooks, didn’t form part of the set list at the Guildhall, those that did, including Britney’s Womanizer and Dizzie Rascal’s Dance Wiv Me, were an unexpected delight for those packed in to the small city centre venue.

And with Mother’s Day just around the corner, she made time to dedicate the wonderfully soft and instrumentally-balanced Chinese from her new album to her watching Mum - yet another song where her lyrics and voice combine to perfect effect - something the crowd were more than happy to let her know.

Let us all hope that the person who decided to throw a Wellington boot towards her has not put this charismatic and energetic talent off returning to Southampton soon. This writer, for one, will be there when she does.